Tuesday, February 7, 2012
Saturday, August 6, 2011
Music Video "Bet I Will"
Produced by The Hayes Brothaz, mixed by The Right Bros. Filmed and edited by LGB productions
Follow
@Siahlaw
@chizMAc1
#team508

Friday, July 1, 2011
Ideal Styles Ent. Presents WAKA FLOCKA FLAME, SIAHLAW & MORE
IDEAL STYLES Presents… 1017 Brick Squad/Warner Bros. Recording Artist, WAKA FLOCKA FLAME performing his hit songs, “O Lets Do it”, “No Hands” & “Grove St. Party” and MA’s own Status Entertainment/Universal Recording Artist, SIAHLAW performing his hit songs, “JO” & “Throw Your Paper Down”
Tickets are $45 for reg. admission and $65 for VIP RESERVE YOUR TICKETS NOW! by calling Randy at (781) 838-0303 or contact Lamarr via email at lamarr_19@yahoo.com or visiting UNDERGROUND CUTZ located at 279 Main St. Buzzards Bay, MA ask for James.Date: July 22, 2011 9pm
Location:
Pufferbellies Entertainment Complex
Pufferbellies Entertainment Complex
183 Iyanough Road
Hyannis Ma
Rte. 28, Hyannis, 02601
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| Siahlaw & Waka |
Tuesday, June 28, 2011
Siahlaw & Chiz Mac "I bet I will" video shoot plus Hotel & Bus Party
New Bedford's own Siahlaw has been tearing up the summer with videos, concerts and more. Here is one you won't wanna miss.
Date: Wednesday July 20 Follow @Siahlaw
Date: Wednesday July 20 Follow @Siahlaw
Location: Colonnade Hotel, Boston, Ma Electronic Press Kit
Time: 8pm to 2am Facebook
Thursday, June 9, 2011
SIahlaw City by City Tour
June 10, 2011
Stoughton, Ma @ Club Whiplash
Blast Management Group and Heavyweight Productions presents...
Universal/Status Ent. Recording Artist, SIAHLAW
"City by City Tour & Party"
Club Whiplash, Friday June 10, 2011
Music by DJ Chubby Chub of Hot 97 Boston( Heavy Hitters DJ)
doors open at 10pm Admission: $15 before 11:30pm $20 after
VIP is available
21 & over (I.D. required) & dress club fresh
Stoughton, Ma @ Club Whiplash
Blast Management Group and Heavyweight Productions presents...
Universal/Status Ent. Recording Artist, SIAHLAW
"City by City Tour & Party"
Club Whiplash, Friday June 10, 2011
Music by DJ Chubby Chub of Hot 97 Boston( Heavy Hitters DJ)
doors open at 10pm Admission: $15 before 11:30pm $20 after
VIP is available
21 & over (I.D. required) & dress club fresh
Saturday, May 7, 2011
Young Boomin & DB Tha General "Ridin With My Weapon" (Official Video)
Filmed & edited by Ian Jackson aka The Rap Manager
Follow Young Boomin, DB Tha General & The Rap Manager on Twitter
@YoungBoomin@DBthaGeneral
@TheRapManager
more music from Young Boomin coming soon so stay tuned...
Monday, May 2, 2011
Saturday, April 16, 2011
Wednesday, March 16, 2011
50 Cent Song Remix Contest
The original
"Ghetto Like A MotherFucker" - Producers finish this track! by 50 Cent
The Right Bros. final version
Ghetto Like A MotherF**ker The Right Bros. Remix by The Right Bros.
"Ghetto Like A MotherFucker" - Producers finish this track! by 50 Cent
The Right Bros. final version
Ghetto Like A MotherF**ker The Right Bros. Remix by The Right Bros.
Monday, February 14, 2011
Saturday, February 5, 2011
Friday, January 21, 2011
Tuesday, January 11, 2011
Friday, December 17, 2010
Thursday, December 9, 2010
Thursday, December 2, 2010
From The Basement To The Boardroom
Have you ever wondered how record producers got their start in the music business? Were they musicians or did they intern at a record label or at a recording studio? Who did they look up to and what kind of barriers did they face? I was always fascinated by this and over the course of 10 years the music industry changed course drastically. Producers are in demand more than ever and are sometimes expected to deviate from making music to suit the artist and his or her management. Record producers can end up as executives overseeing a label. What about A&R's? Can they be considered producers today? I mean they pick the songs that make a project so why not. I'm still debating as to how much an A&R contributes to an album. How can someone determine what's good for a seasoned artist without their approval? The bottom line is talent counts and you had to know what you were doing. This wasn't for the faint of heart.
Being that technology has made it easier to find talent on a larger scale, I feel part of the magic has disappeared from the music. Perhaps its because most of the scouting is done on line as opposed to having street teams. It seems that so much more was done with so much less. A while ago people who knew music knew their place. No one ever questioned the artist because the artist was the face behind the music, the team and maybe even the record label. Record producers understood music and conveyed that knowledge and skill throughout their craft. For the most part the producer's word was law. Can today's music producer and A&R have a similar impact?
I grew up in an era where drum machines and outboard synthesizers were the norm. Not many people had them and the ones that did had to be talented or so you think. I feel not much credit is given to the producer of today partly because of today's tools. I don't think that is fair because many of the producers using MPCs and ASRs have graduated to using computers and DAWs. No one gives them grief for it. I think it can be said that if a veteran producer relied solely on computers to produce no one would really question his or her decision.
Do people find that talent comes from the individual or the machinery? I've owned a few outboard samplers and found them very difficult to use. I remember being at Sam Ash and the sales rep told me that I could sound like Dr. Dre within a week of using this gear. One thing he forgot to mention was that Dr. Dre had about 15 years of experience under his belt. Needless to say I wasn't Dr. Dre. I sold the gear shortly after buying it and quickly gravitated towards computers. I find them much easier to work with as do many people and quality music has been created with them. I do however have a profound respect for anyone that can do the same with an MPC. Do you think that if computers were readily available back then would popular music sound the same? Would not having the tactile control matter to them? Would there be as many producers?
Many old school record producers end up becoming record executives. Was this the natural progression for them? Is there hope for the bedroom beatmaker? I guess this is the sign of the times. Everything is changing, maybe for the better. Perhaps going independent to secure a brighter future is the way to go.
To be continued...
By F.J.
Being that technology has made it easier to find talent on a larger scale, I feel part of the magic has disappeared from the music. Perhaps its because most of the scouting is done on line as opposed to having street teams. It seems that so much more was done with so much less. A while ago people who knew music knew their place. No one ever questioned the artist because the artist was the face behind the music, the team and maybe even the record label. Record producers understood music and conveyed that knowledge and skill throughout their craft. For the most part the producer's word was law. Can today's music producer and A&R have a similar impact?
I grew up in an era where drum machines and outboard synthesizers were the norm. Not many people had them and the ones that did had to be talented or so you think. I feel not much credit is given to the producer of today partly because of today's tools. I don't think that is fair because many of the producers using MPCs and ASRs have graduated to using computers and DAWs. No one gives them grief for it. I think it can be said that if a veteran producer relied solely on computers to produce no one would really question his or her decision.
Do people find that talent comes from the individual or the machinery? I've owned a few outboard samplers and found them very difficult to use. I remember being at Sam Ash and the sales rep told me that I could sound like Dr. Dre within a week of using this gear. One thing he forgot to mention was that Dr. Dre had about 15 years of experience under his belt. Needless to say I wasn't Dr. Dre. I sold the gear shortly after buying it and quickly gravitated towards computers. I find them much easier to work with as do many people and quality music has been created with them. I do however have a profound respect for anyone that can do the same with an MPC. Do you think that if computers were readily available back then would popular music sound the same? Would not having the tactile control matter to them? Would there be as many producers?
Many old school record producers end up becoming record executives. Was this the natural progression for them? Is there hope for the bedroom beatmaker? I guess this is the sign of the times. Everything is changing, maybe for the better. Perhaps going independent to secure a brighter future is the way to go.
To be continued...
By F.J.
Wednesday, November 17, 2010
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